The Theatre of Western Springs
The Theatre of Western Springs
TWSCTWS
Forum 1 | September 29 - October 9, 2005
 

By Jerry Sterner
Directed by Edward W. Wavak

 . . . . . . .  About  . . . . . .

   . . . .  Notes  . . .
Production credits

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Dramaturg's Diary
About the Author

Director's Corner

Setting: Rhode Island and New York
Circa 1986

Sep 29 to
Oct 9, 2005
Thursdays, Fridays, Saturdays at 8:00PM Sundays at 2:30PM
Also, Sun., Oct 2 at 7:30PM -
Sat., Oct 8 at 2:30PM

The first
Forum
production
of the
77th Season.

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Back to TWS home page.

Thursdays
after the show
are discussion
nights.
The audience
talks back.

Cast (in order of appearance)
William Coles, Dave Bremer
Andrew Jorgenson, George Dempsey
Lawrence Garfinkle, Greg Maurer
Bea Sullivan, Marilyn Weiher
Kate Sullivan, Janel Palm


Dramaturg's Diary
By Bonnie Hilton
“All they can do is change the rules, they can’t stop the game.”
–Larry Garfinkle–
Barbarians at the Gate, Burrough and Helyar’s bestseller about the RJR Nabisco takeover, aptly describes the third certainty in life after death and taxes: bullies. From the Assyrian venture capital-type groups in 2000 B.C. to the Italian merchant empires of the 15th and 16th centuries to the Carl Icahns of the world, history bears out that bullies are here to stay, and they will always play the money and power game.
Garfinkle represents a fact of life. He also has a right to try to buy out Jorgy’s firm. Yes, he is horridly abrasive and insulting, but New England Wire and Cable is a publicly held corporation, not a private firm or partnership. Jorgy is a naïve manager if he is not aware that his firm could be taken over. Why didn’t he take the steps necessary early enough to forestall an overture? If Garfinkle didn’t come along, someone else would have.
Though hostile raiders are often viewed as troublemakers, the outcome of their games is part of a bigger picture, proving that they are necessary to society’s health. A hostile bid is a wake up call. Like a cattle prod, it nudges management to improve their contribution to the world or forces them to find better ground. In the end, the success of foul-mouthed
(continued on next page)
bullies like Garfinkle can benefit future generations when the “barbarian” money falls into philanthropic hands or is put to better use.
By virtue of their title, “the robber barons,” Rockefeller, Carnegie, Vanderbilt, and Morgan have been accused of being ruthless and inhumane.Yet if it were not for their energy and shrewdness, building the railroad infrastructure and producing steel and oil more efficiently, there would be little or no growth of the West or middle class. Their actions brought the cost of living down, and many necessities, like kerosene, finally became affordable to millions of people. Ironically, their actions also brought forth the chain of events that crumbled the monopolies in the form of antitrust laws (protection against future ‘bullies’). But after all is said and done, the money they made was not wasted, and their riches benefit individuals to this day. Since 1929, the Rockefeller Foundation has provided over $13 billion in grant money to help world hunger, homelessness, and education. Carnegie devoted most of his $12 billion to fund programs such as the Carnegie Endowment for International Peace.
Decades after the robber barons, the likes of Carl Icahn and Ronald Perelman forced fat to be cut out and operations streamlined at lazy conglomerates like RJR Nabisco and Revlon. In effect, they corrected the mistakes made by managers from the conglomerate mergers in the 1970s. Along the way, workers were displaced, but studies show that most of the takeovers and leveraged buy-outs of the 1980s have produced efficiencies and innovation in every sector of the economy, resulting in net benefits for individuals.
As for rules of the game, they do change in response to the collective effect of individual activity. Being amoebic creatures by nature, corporations are constantly changing to reflect the current morals imposed by governmental and societal bodies. It is a slow process perhaps, but a reasonable solution given the millions of Jorgys and Garfinkles fighting in the world. Barbarians are always at the gate wanting to play
the game. But sooner or later, money finds a good home.


Director's Corner
By Edward W. Wavak
Other People’s Money has been a real joy to work on. I’d like to thank all those whose confidence in me provided me the opportunity to direct this play and to extend my many thanks to the fantastic cast and crew as well.
Other People’s Money is a play that can appeal to us on many different levels. On one level, as a very entertaining play, it provides a comic relief from our everyday lives; on another level it can teach us a little about ‘Wall Street” and how it works; and on yet another level, it really can raise significant questions.
I can’t tell you whom you should side with, but it’s clear to me that it’s not necessarily all that black and white. Is Jorgy responsible to his shareholders or to his employees? How responsible is he to the community? How responsible is the community to him and to New England Wire and Cable? Is Larry “right” when he answers some of these questions, “Who cares”? Why is it that Larry wants to “own” the company rather than make money (lots of money) by greenmail? After all, everyone’s a winner (“except for the stockholders”). And why wouldn’t he take a cool million from Bea, yet spend a million for the right to vote Coles’ shares?
I hope you enjoy our production of Other Peoples’ Money, whether it be just for an entertaining night at the theatre or something to talk about on the way home. Hopefully both. Thanks for coming.


 


 

 

 

Production Credits
Director
Edward W. Wavak
Technical Director
Troy Lee Brasuell, Jr.
Stage Manager
Janette Quinn
Assistant Stage Manager
Ed Barrow
Costume Co-Designers
Lori D’Asta, Carolyn Redding
Costume Crew
Cindy Blaszak, Mary Dempsey, Pat Giesler, Julie Knoch, Kelli Kubicki, Carol Suda,
Dramaturg
Bonnie Hilton
Hospitality Chair
Carol Clarke
Hospitality Crew
Dorothy Attermeyer, Jayne Besjak, Mike DeKovic, Stacie Heintze, Bonnie Hilton, Dennis Hudson, Karla Hudson, Patricia Huth, Dick Jacoby, Bill Love, Jennifer Schmidt, Brian Wacker, Mark Wroczynski
Lighting Designer
Benton Bullwinkel
Lighting Crew
Dick Jacoby, Paul Roach, Sue Turner
Makeup Designers
Susan Maurer, Tammy White
Properties Designers
Patricia Huth, Kathy Kusper
Properties Crew
Brian Centers, Mark Cunningham, Robert Erck, Mike Huth, Debbie Mills.
Set Construction Chair
Harry Hultgren
Set Construction Crew
Tom Frohnapfel, Harry Hultgren, Mike Huth Jon Mills, Rob Pold, Amanda Ragan, Rob Snyder
Set Designer
Rob Pold
Set Painting Chair
Rob Pold
Set Painting Crew, Holly Cjeka
Sound Designer
Fred Sauers
Sound Crew
Linda Roberts, Betsy Stiles
Box Office Chair
Mary Ellen Schutt
Box Office Crew
Kelli Kubicki, Marilyn Wilson
House Manager Chair
Bill Wilson
House Managers
Noel Smith, John Mills, Joe Delaloye,
Mike DeKovic, Denny Wise, Harry Hultgren
Front Row Center flyer
Joe Petrolis
Group Sales Chair
Ceri Hartnett
Poster Distribution
Kathleen Kusper
Production Coordinator
Linda Roberts
Program Advertising
Peggy Carlson
Publicity Chair
Bonnie Hilton
Program Editors
Bill Hammack, Marion J. Reis
Program Production
Stephanie Williams
Website
Judy DiVita


About the Author
President of a real estate firm before becoming a playwright, Jerry Sterner enjoyed immediate success with the
Off-Broadway production of Other People’s Money in 1989. After winning the Outer Critics Circle Award for Best Play, it played in several regional theatres, London, and Asia. Danny DeVito and Gregory Peck starred in the 1991 movie.
Sterner also wrote the musical Topper and 1040, an original play about the tax code. He died of a heart attack at the age of 62 in June, 2001.

Acknowledgements

OTHER PEOPLE’S MONEY was originally presented by the American Stage Company, Teaneck, New Jersey.
Produced with special permission from Samuel French, Inc.
We are grateful to The Fruit Store, Western Springs and Hinsdale, for providing apple cider at cost with free delivery.
We are also grateful to Carpet One Flooring in
La Grange for donating the carpet used on the set.


Thursday Nights
are audience Talkback nights.

Join us immediately following the show
for a discussion with the cast, crew, and
experts in the subject.


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